Psychological reasons made this man act entirely opposite to his nature. The mountain man had a different life.
The historical trapper, as the mountain man is often referred to, belonged to a historical group of humans comprising people who did not have a master. In this article, Patrick McCarthy explores the popular American film and points out the film industry fails to portray the true meaning of the mountain man, in relation to the modern society.
In support of his theme, McCarthy argues that the film industry has distorted the rightful image of the mountain man.
He differs with the way American culture portrays the mountain man. He cites films such as The Oregon Trail, the Adventures of Kit Carson, and a few others that present the mountain man as a creature that is devoid of social constraints. McCarthy seeks to demonstrate that the mountain man was actually a true symbol of the modern man beset by powerlessness or drowning in sadism, self-victimization, isolation, violence, and other negative themes related to dominance and punishment.
In such situations, men are threatened by the feeling that they lack freedom and control over their individual lives. In this respect, the image and symbolism of the mountain man ought to provide a source of motivation that a man has the power to find solutions and survive in difficult times.
According to the chronicles that have been made, this historical man proved that he had the potential to survive on his own.
This article has both strengths and weaknesses. This article draws its strength from the significant fact of distortion that is evident in the modern film. It uses popular culture to bring the society back to reality, in terms of the how important the symbolism of the American man is in times of agony.
However, the article has a narrow scope of exploration. It examines only small number of films, which is insignificant to give the true picture of the film industry. Perhaps, McCarthy could include a few films that have a true representation of the mountain man. Works Cited McCarthy, Patrick.
If you would like help in essays, research papers, term papers and dissertations, you can visit MeldaResearch. Com Last modified on Wednesday, 14 February Existentialism (/ ˌ ɛ ɡ z ɪ ˈ s t ɛ n ʃ əl ɪ z əm /) is a tradition of philosophical inquiry associated mainly with certain 19th and 20th-century European philosophers who, despite profound doctrinal differences, shared the belief that philosophical thinking begins with the human subject—not merely the thinking subject, but the acting, feeling, living human individual.
The article also states that when the mountain men would lose a skirmish In “The Mountain Man and American Anguish,” Patrick McCarthy reveals good insight but is not free from his share of imperfections.
The article bases most of its argument on how today’s film industry falsely portrays past and present cultures. In the article, “The Mountain Man and American Anguish” in the Journal of Popular Film & Television, Patrick McCarthy reflects on movie.
In the article, “The Mountain Man and American Anguish” in the Journal of Popular Film & Television, Patrick McCarthy reflects on movie.
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The Mountain Man and American Anguish" Essay July Article Review In the article, "The Mountain Man and American Anguish " in the Journal of Popular Film & Television, Patrick McCarthy reflects on movie production and the image of mountain men.